My first introduction to the music of Christopher Hall was in 1996 when I acquired a copy of Wither Blister Burn & Peel, the second album by his former band, Stabbing Westward. Now, a decade and a half later, I’m talking to him about Puppet, the second album from his current band, The Dreaming. You’ll find this show strays from the interview format and is more of a conversation. I’m sure you’ll all enjoy it. -AB

Disciple’s sound is built on layers of ferocious guitars, screamingly passionate vocals, a hard-charging rhythm section, and a flair for surprisingly melodic choruses. They’ve been around for nearly two decades, and even though the Gospel always takes center stage, they do a darn good job of kicking your teeth down your throat.

I was listening to terrestrial radio a few days ago. 103.9 in Albany, to be exact. Apparently, they think it’s 1993. Nirvana, Pearl Jam, Temple Of The Dog, Tool, Spacehog and Green Day. Not one song from the last decade. Yep, that’s your rock station Albany. Check this out instead. It’s 2011 on AKF. -AB

“If a band could ever lay claim to being criminally overlooked, it’s The Sheila Divine. Their 1999 album New Parade is a masterpiece. Angry pop rock at its best, a vocal amalgam of straightforward screaming and a light falsetto. Infectious, timeless, and will grow on your with each successive listen.”

“When longtime friends and neighbors Chino Moreno and Shaun Lopez announced their joint pet project earlier this year, no one could have expected it to have come to fruition as quickly as it has. The debut EP from Crosses, featuring the aforementioned Deftones frontman and Far guitarist, has all the urgency you would expect from such a seemingly spontaneous collaboration and yet all the focus and professionalism you have come to expect of the duo.”

It’s been a good week so far. When you get to see the best live band in metal twice in three days, it’s safe to say that things are going pretty well.

SuperHeavy is a supergroup consisting of Mick Jagger, Joss Stone, Dave Stewart, Damian Marley, and Allah Rakha Rahman. It didn’t make me feel anything. Sure, it was interesting. But interesting doesn’t make the hair on my arms stand up, and if that doesn’t happen, I can’t recommend it.

It’s been five long years since the last Evanescence album. Nearly every other review talks about her opening lyrics announcing she’s back. Yes, she’s back. Unfortunately, not much else is happening. At first a refreshing listen. Subsequent listens, average at best. Hey, still listen to it. It’s not bad, but it could have been better.

Jay Rushing is the founder of Tunelab.com, a site on which I’ve received my active rock news for four years. Outside of that, I’m mostly impressed with Jay’s articles on the music industry They identify problems, and unlike most articles on the subject, propose reasonable, viable, and practical solutions. He also possesses a much better voice for radio than yours truly, but that’s a discussion for another day.

Jane’s Addiction played a series of sold out shows at Los Angeles’ Ford Amphitheatre in April of 1989. This week, they returned for a two night engagement.